Iconix Video, Inc. develops high performance, high functionality and small form factor POV (point-of-view) HD cameras for use in broadcast, film, military, security and scientific markets. The company’s first product, the HD-RH1 remote head camera system, is the only 3 CCD camera of its size, weight, versatility, and performance that rivals ENG, EFP and HD studio level cameras at a fraction of the cost.
HD-RH1F 1/3″ Progressive 3CCD HDTV Camera
Contact us for pricing(demo available). Download the Iconix brochure (pdf).
Iconix Video, Inc. is a Santa Barbara based manufacturer of the world’s smallest professional quality High Definition (HD) video cameras. The HD-RH1, is a very small point of view HD video camera system that was developed based on research and input from many supportive video professionals that contributed their want list along with the best features of the various HD cameras they have used. The small size, versatility and tremendous picture quality of the HD-RH1 make it ideal for Television Broadcasters, Digital Production, Military, Security and Scientific applications.
A revolutionary High Definition remote head point of view camera system providing a high-performance, multi-format solution in a small package.
Multi-Format
- 1080sF @ 23.98, 24, 25, 29.97, 30
- 1080p @ 24, 25, 30, 50 and 60hz
- 1080i @ 50 & 60hz
- 720 p @ 24, 25, 30, 50 and 60hz
- SDI, DVI-D, and Analog Outputs
- 14-Bit Quantization
- Electronic Shutter and Enhancement
- Programmable Gamma Function
- Genlock and Remote Control
HD-RH1F Camera System includes Camera Head, CCU and Power Supply.
Testimonials
National Geographic Television
“The compact nature of the Iconix allows us to heighten production value to our natural history stories and provide unique—and sometimes groundbreaking—perspectives on animal behavior. We’re able to use it in remote locations where bringing in a crane or larger jib is not practical or affordable, and where standard sized HD cameras (and even handheld versions) are too large or cumbersome to position in the required location. In the past, we accomplished this with standard definition lipstick cameras, but now we can obtain amazing perspectives in high definition to blend seamlessly with other original HD footage.”
—Jeff Morales, Producer, Natural History Unit, National Geographic Television
Ocean’s Thirteen
“The image quality for the Iconix was fabulous. When I first saw it projected, it was comparable to a Sony HDW F900 image. It was amazing—it blew me away.”
— Steven Meizler, First Assistant Cameraman, Ocean’s Thirteen
CSI: Crime Scene Investigation
“You can stick the Iconix almost anywhere. It’s so small, so light, that you can rig it to almost anything—from actors to cars to bicycles. Now that I know how well the Iconix works, I consider it a part of my arsenal, another color on my palette. It opens the way for me to introduce other ideas to directors while I’m shooting and it helps me design shots when I’m directing. Because of its small size, there are fewer limitations on how we can use it.”
—Michael Slovis, DP, CSI: Crime Scene Investigation